The Web series In Korea
The advent of smartphones and the explosive increase in content consumption through smartphones was enough to suggest to people the need for new content. It was the'web drama' that attracted attention as the first runner. The domestic web drama, which started when the web drama 툰코 was released to Naver in February 2013, enjoyed a moment of interest in the golden age. Web dramas have been accepted as hopes to break down the existing broadcaster system that has been unchanged for years and create a new content market. However, as of 2019, these expectations have not yet come true. The biggest factor that has not been activated even in the production of many domestic web drama markets is that a stable profit structure has not been established. Since it was impossible to recover the production cost with a small amount of money received by the number of clicks exposed on the portal site, corporate or local government sponsors were the most important means of funding in the early web dramas.
Of course, the courageous challenge of producers who dared to make an investment decision and compete purely with a story was made, but most of the production costs could not be recovered, and making a sustainable web drama was very difficult. In the end, the absence of a profit model did not attract bold investment and the participation of competent talent. How can a good work come out without money and people? Even in difficult situations, web dramas were loved by fans like love playlists and teens, but they did not change the overall flow. However, the appearance of Netflix is creating a new environment in this difficult domestic web drama market. Just as YouTube creates a profit structure for single creators, and as a new sustainable content market opens, Netflix serves as a stimulus to create a sustainable production environment for domestic web dramas. There may be a counter-argument to whether a drama that Netflix invests in a large amount of production costs can be seen as a web drama, but Netflix provides a web drama producer with a'production cost recovery market' that domestic online video platforms that have been distributing web dramas have not been able to create. It is true that expectations were given.
Whether or not Netflix will be able to function as expected, we need to watch a little more, but if dramas like Kingdom are continuously produced and successfully distributed in the world market, there will be a big change. In addition to ringing if you like to dramatize the webtoon of Cheon Gye-young, the first love of health teacher Eun Eun-young is the first, and dramas such as Netflix are being produced as the original, but the environment of the domestic web drama market will be qualitatively changed depending on the success of these works. If domestic broadcasters and telecommunications companies invest in this, web dramas will be loved in the global market along with TV dramas. Domestic web dramas are now undergoing a revolutionary transformation into a new environment in which they have to survive in the world market by competing with TV dramas by breaking away from past low-budget snack culture dramas. Whether you can survive the transformation now depends on how competitive the drama is.
My tiger brother is very popular webtoon in Korea
It is strange to discuss interesting works. Because in front of a really fun piece, we forget why it is so fun. It's just falling out. I'm going to talk about 늑대닷컴, who has been completely absorbed. I felt overwhelmed from the first episode.
First of all, the main character is really beautiful. Deep blue eyes on a handsome face. Slippery lower body on the upper body. Rare cartoon characters are so rare. To compare, is it enough to combine Seo Tae-woong and Kang Baek-ho of Slam Dunk? It is also at the level of the last volume at which the drawing culminated. As such, the appearance of Brother Tiger's current protagonist ‘Sangun’ is absolute. Even if it is a tiger, not a person.
It wasn't just beautiful. Tiger's brother is full of exciting and exotic actions unfolded by the existence of Hyung-hyung. What movements can be seen in the fight between beasts? What if animals and humans were fighting? Brother Tiger meets this curiosity face to face.
The confrontation between a four-footed beast, whose teeth and front paws are the main weapon, and a massive trend, create tensions that are completely different from the battles between people. Here, a unique setting borrowed from various narratives shines. Characters who move freely between human and beast forms have their own unique fighting methods, and the complex and colorful battles they show cannot easily predict the victory or defeat.
Tiger's fun lies in the unpredictable development. In fact, action cartoons have aspects that depend on typical formulas. Anyone who has seen any of these cartoons can guess roughly how each battle will end. However, the battle of Brother Tiger is established in a way that betrays this typicality. Fights that are likely to end easily are overturned by unexpected variables, and the overturned fights are overcome again in new ways.
Inversion is like an intense spice. If used properly, it will give an unexpected taste, but if excessive, it will not taste at all. In order for the antiwar to play its part, it needs a story that can be sympathetic. The mountain army has a position of the mountain army. But there is also a belief in Tsui, who faces him. There is a reason for Muker's revenge and the mission of the blue wolf Bertenge.
Even the white eyebrows, the core villain of the work, has its own legitimacy. When different positions are convinced, their struggle is not just a fight, but a more epic tragedy. What is surprising is that Brother Tiger's plot is only in its infancy.
Countless brothers who continue to fight fiercely with heavy reverberations. What story did the older brothers who had revealed and the older brothers who had disappeared and the ones who had not yet appeared, and what fate they faced? I am satisfied with what I have seen so far, but I am looking forward to it later.
Yi Sun-sin is very perfect General in Korea
As you studied General Admiral Yi Sun-sin, did you become interested in Korea and derived from Korean social issues?
In 2014, there was a crisis that had to be stopped because production costs were almost the same. At that time, I was able to continue with crowdfunding. At the time, Korean people were very impressed by their support. At the same time, he signed a publishing contract with Seoul Culture History. Then I decided to give back what I received. I was thinking about what to do and thought I should help people. This is more important than making money. I hope people get courage. If you sell a lot of books, you will earn money, but through donations and good things, my soul will be enriched.
I heard that Koreans accounted for a third during crowdfunding. Was the rest of the foreigners primarily Asian Americans? I was asking about the reaction of foreigners with different cultures.
When I first started crowdfunding in the United States, it wasn't very good. Too many producers have already started funding. I started very late. If I hadn't helped in Korea, I wouldn't have been able to fill the target amount. It has become a big driving force by retweeting 5,000 in Korea. I don't want to accept that Korean support was so popular that it wasn't popular in the United States or around the world. He went to 40 American comic conventions and sold 45,000 copies. It was sold without a publisher or distributor. This part should be properly evaluated.
Have you been interested in great war since childhood? After watching the drama immortal
무료 웹툰 사이트 링크 모음 (Free Webtoon Site Links) | Navy Apple
in 2005, I heard that he was interested in General Yi Sun-shin.
Originally, I was interested in Korean culture. When I was young, I learned Taekwondo. It was fun, so I practiced every day. Taekwondo quit when I was in college. It seems that interest in Korean culture began from that time. Then, as I watched the drama immortal Yi Sun-shin, the interest that I had in the past rose again. The immortal Yi Sun-shin was so good. I was greatly inspired. After seeing it, I was afraid I could make a better work than this. However, the immortal Yi Sun-sin has more than 100 trilogy. There was a long and difficult part for Americans to see. Then I thought I could make my own comic book. You can make a comic book that is more concise than TV and never loses fun.
Looking at the manga, the color was impressive. There are also colors that are both exotic and familiar to Korea.
From the beginning, everything was planned as planned. All pages were organized with plans and intentions, and targeted at sensitive readers. So that you can appreciate the picture without reading the text. I want people to see this book from a different perspective. I want you to approach it like watching a movie. And at the end, I put in an interview explaining the characters and introducing the creators. I thought I would be impressed.
